Mary Sibande was born in Barberton (1982) and lives and works in Johannesburg. She obtained her Diploma in Fine Arts at the Witwatersrand Technikon (2004) and a B-Tech degree from the University of Johannesburg (2007). Sibande broke the historical echoing of her generation, who has been domestic labourers, and rose from these awful circumstances through her education and artistic career.
In Sibande’s practice as an artist, she activates the human form through photography and sculpture. These mediums help her explore the construction of identity in a post-colonial South African context. In addition to this, Sibande critiques stereotypical depictions of women, particularly African women in our society.
Sibande’s practice as an artist, underlines how privileged ideals of beauty and femininity aspired to by black women discipline their body through rituals of imitation and reproduction. She inverts the social power indexed by Victorian costumes by reconfiguring it as a domestic worker’s “uniform” elaborating on the colonial relationship between “slave” and “master” as seen in a post-apartheid context. The fabric that Sibande uses to dress her characters, be it sculptures or photographs, is instantly recognizable (within a South African framework), as it is the same that is used for domestic workers’ uniforms. By using this archetypal reference Sibande applies it to Victorian dresses, through this she attempts to comment on the history of subjection as it relates to the present in terms of domestic relationships.