Born in the town of Matalana, southern Mozambique in 1936 at the height of Portuguese colonialism, Malangatana’s early years were marked by the growth of the national liberation struggle and the coming of independence in 1975. He began painting in the late 1950’s at the Industrial school and the Art Club of Mozambique in Maputo. In 1959 Malangatana’s works were exhibited publicly for the first time as part of a group show and in 1961 he had his first solo exhibition. The show included the work Juizo Final. 1961 (Final Judgment), which depicted the brutality of life under colonial rule.
Malangatana’s support for Mozambique’s struggles as a member of the Liberation front of Mozambique, resulted in his 18 month imprisonment. Upon his release he received a grant to study ceramics and printmaking in Portugal. Malangatana made his debut solo exhibition in Lisbon in March 1972. Ahead of Mozambique’s independence 3 years later, Malangatana returned to his homeland, serving as representative to parliament and continued as a full time artist. His poetry was published in Black Orpheus Magazine and in the Penguin Book of Modern Poetry from Africa.
Malangatana’s artwork has been exhibited globally and is held in a number of private and public collections. He was awarded the Nachingwea Medal for Contribution to Mozambican Culture and in 1997 was named a UNESCO Artist for Peace. He remained committed throughout the remainder of his life to establishing cultural institutions in Mozambique, including the National Museum of Art, the Centre for Cultural Studies and the Centre for the Arts.
In July 2020 The Art Institute Chicago opened Malangatana: Mozambique Modern at The Institute, hosted in association with the Foundation Malangatana Valente Ngwenya (FMVN) and Gallery MOMO. This presentation is both the first survey of Malangatana’s early work since his death and the first solo exhibition of a modern African painter at the Art Institute. Bringing together over forty key paintings and drawings, the exhibition highlights the years between 1959 and 1975 as a period in which Malangatana embarked on bold formal experiments and painted the rapidly changing world around him, inviting us to consider his development as an artist part and parcel with the emergence of modern African art.